![]() Lamb stopped publishing his music, playing and composing only as a hobby. Henrietta died of influenza in 1920, about the same time that popular music interest shifted from ragtime to jazz. Fred Helf Music Publishing Company and later, starting in April 1914, as an accountant for L. In 1911, Lamb married Henrietta Schultz and moved to Brooklyn, New York. In addition, Lamb surpassed ragtime’s usual four-measure phrase structure. He used a great diversity of texture for all of his rags. His contributions to the ragtime literature also show his unique traits. Second, he emphasizes on the harmonic sonority of the diminished seventh with upper-neighbor appoggiatura. First, he uses sequence for development purposes. Lamb’s works show individual stylistic traits. "Contentment Rag" (1915) and "Patricia Rag" (1916) have both characteristics of “heavy” rags and “light” rags. This style of rags includesī) The “light” rags which have the cakewalk tradition show the narrow-range melodies inspired by Joplin. Lamb’s twelve rags published by Stark from 1908 to 1919 can be divided into two groups:Ī) The “heavy” rags which are incorporated with Scott Joplin’s melody–dominated style and James Scott’s expansive use of the keyboard registers. Stark published Lamb's music for the next decade, starting with "Sensation". Joplin was favorably impressed with Lamb's compositions, and recommended him to classical ragtime publisher John Stark. In 1907 Lamb was purchasing the latest Joplin and James Scott sheet music in the New York City offices of John Stark & Son when he met his idol Joplin. ![]() Jerome's College in 1904 to work for a dry goods company. The youngest of four children, he taught himself to play the piano, and was very taken with the early ragtime publications of Scott Joplin. Lamb, of Irish descent, was the only non-African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. My thanks to Carol Binkoswki for bringing the life of this remarkable composer into sharper focus”- VJM’s Jazz & Blues Mart “Binkowski focuses on Lamb’s life and legacy, discussing specific compositions as they relate to the composer’s life”- Reference & Research Book News.Joseph Francis Lamb (Decem– September 3, 1960) was a noted American composer of ragtime music. Besides filling a major gap in the ragtime literature, the book is well-written and makes an enjoyable and informative read. The book is copiously illustrated with rare photographs. Highly recommended”- Ragtime Reviews “excellent…I heartily recommend Binkowski’s biography as essential to anyone interested in ragtime, not only for the close, personal look at one of the genre’s major composers, but also for the revealing discussions of New York’s bustling music scene in the ragtime era. Binkowski has meticulously researched the events of Lamb’s life…she has written an eminently readable life story that keeps the reader enthralled from beginning to end. The value cannot be underestimated”- ARSC Journal “completes a gap in ragtime’s history that has long needed to be filled. ![]() Recommended”- Library Journal “the first real hard copy biography of Joe Lamb…excellent…labor of scholarly love offers supreme example of professional expertise and literary virtuosity. “Binkowski’s book is the definitive biography of Lamb and an important contribution to the literature on ragtime. ![]()
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